IMPACT OF AI ON COPYRIGHT LAW: WHO OWNS AI-GENERATED WORKS? BY - SIMRAN GAHLOT
AUTHORED BY - SIMRAN GAHLOT
Abstract
The rapid advancements in Artificial
Intelligence (AI) have significantly disrupted copyright law, particularly in
determining authorship and ownership of AI-generated works. Traditional
copyright frameworks, which emphasize human creativity and intellectual effort,
struggle to accommodate AI’s role as a creator. This paper examines the
challenges posed by AI-generated works within the Indian Copyright Act, 1957,
analyzing whether existing legal provisions sufficiently address issues of
originality, attribution, and liability. It explores global legal perspectives,
including the U.S. fair use doctrine and the EU’s Text and Data Mining (TDM)
exceptions, to draw insights for India. The study further discusses ethical
dilemmas, such as copyright infringement concerns arising from AI training on
protected content and the potential for AI to be recognized as a legal entity.
By assessing landmark case laws, including Naruto v. Slater,[1] Thaler
v. USPTO[2], and Getty
Images v. Stability AI[3],
this paper highlights the evolving discourse surrounding AI-generated works. It
ultimately calls for legislative clarity and possible regulatory reforms to
balance innovation with copyright protection in an AI-driven creative
landscape.
Keywords:
AI-generated works, copyright law, originality,
authorship, fair use, AI liability, intellectual property rights, AI-generated
music, legal framework, ethical concerns, copyright infringement, AI training
data, Indian Copyright Act, AI regulation, global legal approaches.
Introduction
The rapid advancements in Artificial
Intelligence (AI) over the past two years have significantly reshaped
industries, particularly in the creative and intellectual property domains. AI
has evolved from being a mere tool in the hands of its creator to becoming a
creator itself. This unprecedented growth has sparked a global debate on the
adequacy of existing legal frameworks, as nations struggle to keep pace with
the evolving technological landscape.
In the realm of copyright law, AI
challenges the traditional notions of originality and authorship. Historically,
copyright protection has been granted based on human creativity and
intellectual effort. However, with AI now capable of composing music,
generating literature, and producing art, the question arises—who owns
AI-generated works? Can merely submitting a prompt or instruction to an AI
model qualify as authorship under copyright law?
The Indian Copyright Act, 1957, does
not explicitly recognize AI as an author, creating uncertainty regarding
ownership and protection of AI-generated works. As AI tools like ChatGPT
continue to redefine content creation, the absence of clear legal provisions
raises complex issues about attribution and rights. This paper seeks to analyze
whether the existing copyright framework in India is equipped to handle these
emerging challenges, with a specific focus on AI’s role in music composition
and production. By examining legal perspectives and recent technological
advancements, this study aims to explore the evolving discourse surrounding
AI-generated works and their implications on copyright law in India.
Navigating the Copyright Act: Implications foe
AI-Generated Content
definition of “author”
as any person who causes the work to be generated by a computer, thus
eliminating any chances of machines getting authorship of the work developed by
it, independent of any human
interference[4].
The
Need for Originality and Creativity
"originality" as a
fundamental requirement for a work to qualify for protection.[5]
However, the term "original work" is not explicitly defined within
the statute. Courts typically assess originality by examining the relationship
between an idea and its expression, often invoking the Doctrine of Merger[6].
This evaluation focuses on whether the work reflects the author’s skill,
effort, and creative input. Judicial interpretations differentiate between
works that merely involve labour and those that require both skill and
judgment.
AI-generated
works pose a unique challenge in this context, as AI operates through
algorithms and data processing rather than human creativity, intuition, or
judgment. While AI can generate compositions resembling human-created music,
its process does not align with conventional concepts of authorship or creative
labour. Indian courts have interpreted originality in a manner similar to U.S.
courts, which apply the "Modicum of Creativity[7]" standard. This principle holds that
only those works demonstrating a sufficient degree of skill and judgment meet
the originality threshold. Given AI's evolving role as a creator rather than
just an assistive tool, courts may face significant challenges in reconciling
traditional copyright principles with the distinct nature of AI-generated
works.
Ethical Dilemmas and Copyright Infringement
AI
operates on the basis of large language models, processing vast amounts of data
using advanced algorithms. In traditional cases involving the remix or
adaptation of a copyrighted song or musical work, an individual must obtain
permission from the rightful owner before making modifications or using the
work. This requirement aligns with Section 52(1)(j)[8], which governs such uses.
Recognizing AI as a Separate Entity
One of the
fundamental obstacles is that AI lacks legal agency, meaning it cannot
enter into contracts, exercise rights, or be held accountable for its actions
in the same way as human creators. Under Section 57[9], authors are granted moral rights, including the right to
paternity (the right to be recognized as the author) and the right to
integrity (the right to object to distortion or modification of their
work). In the case of AI-generated content, enforcing these rights becomes
problematic, as AI lacks personal identity, reputation, or the ability to
assert claims over its creations.
Charting a Path Forward for Copyright Law
Learning from Global Approaches
1. Text and Data Mining (TDM) Exceptions
a. The EU’s copyright framework
recognizes TDM exceptions, which allow automated analysis of large
datasets to identify trends and generate insights.
b. This exception applies only in
legally defined scenarios, ensuring that authors retain some control over their
works.
c. In some cases, copyright holders can opt-out
of TDM-based usage, making it a passive permission system rather than a
blanket authorization.
2. Fair Use Doctrine (US)
a. The US fair use doctrine
allows individuals to use copyrighted material without obtaining prior
consent from the copyright owner under specific conditions.
b. Whether a work qualifies under fair
use depends on several factors, including:
i.
The
purpose and character of the use (e.g., commercial or educational).
ii.
The
nature of the copyrighted work.
iii.
The
amount and substantiality of the portion used.
iv.
The
effect of the use on the market for the original work.
c. Notably, both the TDM exception
and fair use have been applied to cases involving scientific research,
where authors' permission is not required for data utilization.
a. The EU is in the final stages of
passing the AI Act, which aims to regulate AI technology and its
impact across various sectors, including intellectual property rights.
b. India could consider implementing a sui
generis system to provide tailored intellectual property (IP) protections
for AI-generated content.
c.
A specialized
legal framework addressing ownership, liability, and ethical concerns
arising from AI-generated works would help bridge the gaps in the existing
copyright laws.
Technological Solutions to AI-Generated Copyright Issues
a. Audio steganography is a technique for embedding hidden
information within audio files.
b. Developers could integrate digital
watermarks into AI-generated music or creative works, ensuring that the
source of the content is traceable.
2. AI-Generated Citations
a. AI models could be designed to cite
their data sources whenever generating content derived from existing works.
b. This could function similarly to academic
referencing, helping users distinguish original AI-generated content
from content based on prior copyrighted works.
a. Lawmakers should clarify whether storing
and using copyrighted works in AI training databases constitutes fair
use under copyright law.
b. AI developers should implement transparent
policies regarding the use of copyrighted content in training datasets.
Relevant
Case Laws
AI-Generated Works and Copyright Protection
Case 1: Naruto v. Slater – Monkey Selfie Case[10]
Key
Issue: Whether a non-human entity (a
monkey) can be recognized as the author of a copyrighted work.
Facts:
·
A
macaque monkey, Naruto, took a selfie using a camera owned by photographer
David Slater.
·
Slater
claimed copyright, but PETA argued that Naruto should own the copyright.
·
The
court ruled that non-human entities cannot hold copyright under U.S.
law.
Relevance to AI:
·
If
a monkey cannot be the author of a copyrighted work, can AI?
·
This
case sets a precedent against AI being recognized as an author under
copyright law.
Case 2: Thaler v. USPTO – AI as an
Inventor[11]
Facts:
·
Dr.
Stephen Thaler filed a patent application naming his AI system, DABUS,
as the inventor.
·
The
USPTO rejected the application, ruling that only humans can be inventors
under U.S. patent law.
·
The
Federal Circuit upheld the ruling, stating that AI lacks the legal
status of a "person" required for authorship.
·
If
AI cannot be an inventor, it likely cannot be an author under
copyright law.
·
Courts
emphasize human creativity and intellectual effort in granting
copyright.
Originality and the “Modicum of
Creativity” Standard
Case 3: Feist Publications, Inc. v. Rural Telephone Service
Co.[12]
Facts:
·
Feist
Publications used telephone directory listings from Rural Telephone Service.
·
The
Supreme Court ruled that the mere collection of facts is not copyrightable.
·
For
a work to be copyrightable, it must have a "modicum of
creativity."
Relevance to AI:
·
AI
arranges and processes data but does not exhibit human creativity.
·
Could
AI-generated works fail to meet the originality standard?
Indian Case Laws on Copyright and AI Implications
Case 4: Eastern Book Company v. D.B. Modak [13]
Key
Issue: Whether manual selection and
arrangement of text qualifies as an original work under Indian
copyright law.
Facts:
·
Eastern
Book Company (EBC) compiled Supreme Court judgments with editorial
notes.
·
The
court ruled that mere compilation is not enough; it must involve skill and
creativity.
Relevance to AI:
Case 5: R.G. Anand v. Delux Films [14]
Facts:
Relevance to AI:
AI and Copyright Infringement
Case 6: Authors Guild v. Google, Inc.[15] -
Fair Use in AI Training
Facts:
·
Google
digitized millions of books for its Google Books project,
allowing AI-driven search functionalities.
·
The
court ruled this was fair use because it was transformative and did
not replace the original works.
Relevance to AI:
·
AI
models like ChatGPT, MidJourney, and DALL·E train on copyrighted works.
·
Should
such training be considered fair use or copyright infringement?
Case 7: Getty Images v. Stability AI Ltd.[16]
Key Issue: Stability AI (maker of Stable Diffusion) was sued for using copyrighted
images without permission in training its AI model.
Facts:
·
Getty
Images accused Stability AI of scraping millions of images without licensing
them.
·
The
lawsuit argued that AI-generated images were derivative works of
copyrighted materials.
Relevance to AI:
·
Courts
are currently deciding whether training AI on copyrighted content
without permission is legal.
·
The
ruling will impact AI-generated music, literature, and visual art.
Conclusion