INTERNATIONAL JOURNAL FOR LEGAL RESEARCH AND ANALYSIS

A STUDY ON SEXUAL HARASSMENT AGAINST WOMEN AT WORKPLACE IN IT INDUSTRIES IN INDIA BY - THIRUNAVUKKARASU P, MATHANISHA N, HARINI C & OVIYA R

Authors :THIRUNAVUKKARASU P, MATHANISHA N, HARINI C & OVIYA R

Registration ID : 106787 Published Paper ID: IJLRA6787, IJLRA6788, IJLRA6789 & IJLRA6790

Year : Jan-2024 | Volume : II | Issue : 7

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id : thiru16jan05@gmail.com, nmathanisha398@gmail.com, harinichandrakumar2003@gmail.com & oviyapunitha112@gmail.com

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Doi Link : https://www.doi-ds.org/doilink/02.2024-94226294/A STUDY ON SEXUAL HARASSMENT AGAINST WOMEN AT WORK

DATA THEFT BY - RAJNIKANT & PROF. SHIVANGI SINHA

Authors : RAJNIKANT & PROF. SHIVANGI SINHA

Registration ID : 106786 Published Paper ID: IJLRA67786 & IJLRA6801

Year : Jan-2024 | Volume : II | Issue : 7

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id : meenarajnikant562002@gmail.com

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Doi Link : https://www.doi-ds.org/doilink/02.2024-77971364/DATA THEFT

RETAIL PARTICIPATION IN MUTUAL FUNDS SINCE 2008 CRISIS BY - RISHINGYA PATNAIK & SHREYA MUKHERJEE

Authors : RISHINGYA PATNAIK & SHREYA MUKHERJEE

Registration ID : 106784 Published Paper ID: IJLRA6784 & IJLRA6785

Year : Jan-2024 | Volume : II | Issue : 7

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id : Rishingya19@gmail.com

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Doi Link : https://www.doi-ds.org/doilink/02.2024-57172323/RETAIL PARTICIPATION IN MUTUAL FUNDS SINCE 2008 CR

CROSSING THE SHADOWS- INTERFACE OF WHITE-COLLAR CRIMES AND CYBER LAW BY- ANKIT AGRAWAL & MEHUL N. DUBEY

Authors : ANKIT AGRAWAL & MEHUL N. DUBEY

Registration ID : 106783 Published Paper ID: IJLRA6783 & IJLRA6802

Year : Jan-2024 | Volume : II | Issue : 7

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id : ankit.agrawal@symlaw.edu.in

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USE OF ALTERNATIVE DISPUTE REDRESSAL MECHANISM VIS-A-VIS FAMILY DISPUTES IN INDIA: AN ANALYSIS BY - DR. KARAN JAWANDA & APARNA SINGLA

Authors: DR. KARAN JAWANDA & APARNA SINGLA

Registration ID: 106782 Published Paper ID: IJLRA6781 & IJLRA6782

Year : Nov-2018 | Volume: 2 | Issue: 5

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id: kd2007dhillon@gmail.com & aparna_1987@yahoo.in

Page No : 11

DOI link : https://www.doi-ds.org/doilink/02.2024-46961116/USE OF ALTERNATIVE DISPUTE REDRESSAL MECHANISM VIS

BALANCING TRADITION AND ETHICS: CHILD LABOUR IN FAMILY ENTERPRISES IN CONTEMPORARY INDIA BY - RIYA MESHAK & THANYA MESHAK

Authors : RIYA MESHAK & THANYA MESHAK

Registration ID : 106779 Published Paper ID: IJLRA6779 & IJLRA6780

Year : Jan-2024 | Volume : II | Issue : 7

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id : meshakriya2@gmail.com & thanyameshak24@gmail.com

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LEGAL VIEWS ON WOMEN EMPOWERMENT BY - MS. KAVITA R. SANDBHOR & MS. VAISHALI KAMBLE

Authors : MS. KAVITA R. SANDBHOR & MS. VAISHALI KAMBLE

Registration ID : 106777 Published Paper ID: IJLRA6777 & IJLRA6778

Year : Jan-2024 | Volume : II | Issue : 7

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id : kavita.sandbhor@gmail.com

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Doi Link : https://www.doi-ds.org/doilink/02.2024-52762719/LEGAL VIEWS ON WOMEN EMPOWERMENT

ANALYSIS OF THE LIMITED LIABILITY PARTNERSHIP ACT, 2008 BY - DR. POOJA AGRAWAL

Authors : DR. POOJA AGRAWAL

Registration ID : 106776 Published Paper ID: IJLRA6776

Year : Jan-2024 | Volume : II | Issue : 7

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id : pooja.agrawal058@gmail.com

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DIRECTOR – THE UNRECOGNISED AUTHOR: A CRITICAL ANALYSIS OF THE NEED FOR REDEFINING THE AUTHORSHIP OF FILM IN INDIA BY - MUTHUMANI SOMASUNDARAN

Authors : MUTHUMANI SOMASUNDARAN

Registration ID : 106775 Published Paper ID: IJLRA6775

Year : Jan-2024 | Volume : II | Issue : 7

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id : muthumanicopyright@gmail.com

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Doi Link : https://www.doi-ds.org/doilink/02.2024-31531693/DIRECTOR – THE UNRECOGNISED AUTHOR: A CRITICAL A

FROM R. RAJAGOPALAN CASE TO ANIL KAPOOR VERDICT: EVOLUTION OF PROTECTION OF CELEBRITY RIGHTS IN INDIA BY - PALLAVI TIWARI

Authors : PALLAVI TIWARI

Registration ID : 106774 Published Paper ID: IJLRA6774

Year : Jan-2024 | Volume : II | Issue : 7

Approved ISSN : 2582-6433 | Country : Delhi, India

Email Id : pallavitiwari75@gmail.com

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Doi Link : https://www.doi-ds.org/doilink/02.2024-82779683/FROM R. RAJAGOPALAN CASE TO ANIL KAPOOR VERDICT: E

International journal for legal research and analysis

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[2] https://thrivedx.com/resources/article/data-breach-types

[1] https://cleartax.in/s/why-economy-crashed-in-2008

[2] https://www.tatacapital.com/blog/wealth-management/why-has-the-number-of-retail-investors-increased-during-an-economic-crisis/

[3] https://www.investopedia.com/ask/answers/033015/how-did-financial-crisis-affect-banking-sector.asp

[4] https://www.cii.in/Economy.aspx?enc=LqAXY5bXIsb2PzUHQxy2iQ==

[5] https://link.springer.com/article/10.1007/s12197-021-09541-z

[6] https://www.thehindubusinessline.com/opinion/some-key-lessons-from-the-npa-crisis/article30331406.ece

[1]http://delhi.gov.in/wps/wcm/connect/doit_ddrs/DELHI+DISPUTES+RESOLUTION+SOCIETY/Home/About+Mediation last accessed on 11.8.18

[2] http://mediationcentrephhc.gov.in/ last accessed on 24.08.2018

[3] “Mediation for resolving family disputes” SHS Web of Conferences 30, 00018 (2016) https://www.shs-conferences.org/articles/shsconf/pdf/.../shsconf_shw2016_00018.pdf last accessed on 12.8.18

[4] https://www.familylawyers.in/mediation-and-counselling-at-family-courts-kerala-india...last accessed on 14.8.18

[6] “Promote Alternative Dispute Resolution in family Discords” available at http://www.Apcpkerela. org/Purpose.Php?Id=3 last accessed on 12.8.18

[7] https://www.divorcelawinfo.com/Divorce%20Mediation.htm last accessed on 11.8.18

[14] The said provision provides for court to record compromise decrees where parties have entered into a written agreement and adjusted their claims

[15] http://mediationcentrephhc.gov.in/?trs=ref_pro last accessed on14.8.18

[19] For details see http://mediationcentrephhc.gov.in/?trs=ref_pro last accessed on 14.8.18

[1] Banerjee S., child labour in India: A general review with case studies of the bricking and Zari embroiding industries, London, Anti-slavery society (1981)

[2] P.L. Mchata, S.S. Jaswal, Child Labour and the Law, p-26, New Delhi: Deep and Deep Publications, 1990

[3] Dr. Panth, Economic History of India under the Moghals, 1990

[4] P.L. Mehta, S.S. Jaswal, Child Labour and The Law, p-13,New Delhi: Deep and Deep Publications, 1996.

^{^[5]} C.K. Shukla, S. Ali, Child Labour: Socio-Economic Dimensions, p-178, New Delhi: Swaroop and Sons, 2006.

[6] Mehra-Kerpelman, K.1996. Children at work: How many and where? International Journal of Statistics & Economics, http://www.karmyug.org/childlabour/research

[7] Nanjuda, D.C., Child Labour and Human Rights-A Perspective, Delhi: Kalpaz Publications, 2008, p. 52.

[8] “Employment of children in hazardous and family run business”, Bachpan Bachao Andolan (BBA),March31,p3

[9] Employment of children in hazardous and family run business”, Bachpan Bachao Andolan (BBA),March31,p-3

[10] Employment of children in hazardous and family run business”, Bachpan Bachao Andolan (BBA),March31,p4

[11] Employment of children in hazardous and family run business”, Bachpan Bachao Andolan (BBA),March31,p-9

[1] Braving The Waters: A Guide For Tennessee's Aspiring Entrepreneurs, Spring 2007, Tennessee Journal of Business Law, 243

[2] Limited Liability Partnership Bill, 2008 passed by Rajya Sabha, Press Information Bureau dated Oct. 24, 2008

[9] D.S.R. Krishnamurthi, Added value of LLP Bill 2008, (2008) SEBI & Corp. Law 120

[10]Vikramditya Singh Malik, The Latest Hybrid in India: Limited Liability Partnership, www.cisd.soas.ac.uk/.../limitedliabilityconference_preconffinalprogramme_160707.pdf

[11] S.D. Singh, J.P. Gupta, Law of Partnership in India, p. 213

[12] Rajesh Dhawan, Limited Liability Partnership – an overview, (2008) 88 SEBI & Corp. Law (Mag) 133.

[1] Written and submitted by Muthumani Somasundaran, Research Scholar at Inter University Centre for IPR studies, CUSAT [ Ph. 9995407645, email: muthumanicopyright@gmail.com]

[2] Bill No. XXIV of 2010 introduced in Rajya Sabha, India

[3] The Copyright (Amendment) Bill, 2010,

2. In section 2 of the Copyright Act, 1957 (hereinafter referred to as the principal Act),—

(i) in clause (d),—

(a) in sub-clause (v), for the words “cinematograph film or sound recording, the producer; and”, the words “cinematograph film, the producer and the principal director;” shall be substituted

[4] The Copyright (Amendment ) Bill, 2010

S.2(z)“Explanation.—For the purposes of this clause, a cinematograph film shall be deemed as a work of joint authorship except in cases where the producer and the principal director is the same person;”.

[5] C Paul Sellors, Collective Authorship in Film, 65 J.A.A.C. 263, 265 (2007).

[6] Steven Ascher and Edward Pincus, The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age, Penguin, USA (4th edn., 2012)

[7] Going by the Hegelian Personhood theory a work is an extension of the personality of its creator.

[8]“Remembering Satyajit Ray”, Indian Express, May 2, 2016, available at Indianexpress.com/article/trending/trending-in-india/satyajit-ray-quotes( accessed on 4/10/2021)

[9] World renowned French Film Director and Film critic (13 July 1923 – 19 May 2016).

[10] AlexandreAstruc, “The Birth of a New Avant-Garde: La CaméraStylo”, originally printed in 'L'Écran française' 30 March 1948 as "Du Stylo à la caméra et de la caméra au stylo", (Apr, 4 2020), http://www.newwavefilm.com

[11] WIPO “Understanding copyrights and related Rights” pp 6-7

[12] Ryan Vacca, Work Made for Hire - Analyzing the Multifactor Balancing Test, 42 Fla. St. U. L. Rev. 197 (2014)

[13] Community for Non-Violence v. Reid, 490 U.S. 730 (1989)

[14] An exception to this practice was the French, they recognised the distinctive role of the creator and recognised the rights of the directors and writers.

[15] In UK, by way of amendment of S.9 of The Copyright, Designs and Patent’s Act, 1988. Other European nations, like the France and Germany were recognising the directors as author of the film as an when their current copyright statutes came into force.

[16] Directors Guild of America, SUMMARY OF DIRECTORS’ CREATIVE RIGHTS UNDER THE DIRECTORS GUILD OF AMERICA BASIC AGREEMENT OF 2020 – https://www.dga.org/Contracts.aspx .This Agreement Acts As The Minimum Basic Agreement For Protecting The Interests Of The Directors. This Agreement Practically Covers Both Economic And Moral Rights.

[18] S.13- Copyright in Cinematograph Films, The Copyright Act 1956, (4 & 5 ELIZ. 2 CH. 74) (United Kingdom).

[19] S.2(d)(v), The Copyright Act of 1957 (Act No.14 of 1957).

[20] S.2(uu), The Copyright Act of 1957 (Act No.14 of 1957).

[21] ‘Maker’ of a film is the ‘Producer’ of the film, means the person by whom the arrangements necessary for the making of the film.

[22] ‘Creator’ of a film is the ‘Director’ of the film, means the person whose intellectual contribution and creativity is being transferred to create a film.

[23] C.S. No. 93 Of 2012, Madras High Court, decided on Sep., 09 2016, full text access from https://indiankanoon.org/doc/45684202/

[24] “The Copyright Amendment Bill 2009”, Press Information Bureau of the Indian Government, in 2009, available at http://pib.nic.in/release/release.asp?relid=56444&kwd

[25] In US the director is recognised through Contractual Arrangements, in UK through S.9 of Copyright Designs Patents Act 1988 S. 9: Authorship of work

(1) In this Part "author", in relation to a work, means the person who creates it.

(2) That person shall be taken to be –

(ab) in the case of a film, the producer and the principal director;

[26] The Full text of the Copyright (Amendment) Bill of 2010 accessed from https://prsindia.org/billtrack/the-copyright-amendment-bill-2010 on 30 December 2019

[27] Bill No. XXIV of 2010 introduced in Rajya Sabha, India

[28] S.2 (d)(v) of the Indian Copyright Act of 1957

2. In section 2 of the Copyright Act, 1957 (hereinafter referred to as the principal Act),—

(i) in clause (d),—

[32] The Film & Television Producers Guild Of India Ltd. is a Public incorporated on 26 February 1954. It is classified as Non-govt company and is registered at Registrar of Companies. It is inolved in Motion picture, radio, television and other entertainment activities.

[33] The Indian Motion Picture Producers’ Association was formed in the year 1937. It is popularly known as IMPPA. It is the first and the only internationally recognized oldest association of the Indian Film production sector.

[34] The South Indian Film Chamber of Commerce represents the conglomeration of the Kerala, Tamil Nadu, Andhra Pradesh and Karnataka Film Chambers of Commerce.

[35] 227^th Report On The Copyright (Amendment) Bill, 2010 By The Department-Related Parliamentary Standing Committee On Human Resource Development, (2010), (Presented To The Rajya Sabha On 23rd November, 2010) (Laid On The Table Of Lok Sabha On 23rd November, 2010), Rajya Sabha Secretariat, New Delhi, full copy of the report available At http://www.prsindia.org , P.114

[36] The Parliamentary Standing Committee called for representation from public (this included memoranda as well as oral evidence from stake holders) before finalising the provisions of 2010 bill. 68 memoranda were received from the stakeholders. The Committee interacted with a number of organizations/associations from the film, music and publishing industry, Authors’ organizations, lyricists/music composers, Artists organizations, Copyright Board and other organizations and departments , especially that of the Secretary, Department of Higher Education who was entrusted to study the Bill in detail. On 26 May, 2010

[37] EC-directive 92/100/EC (Renting and lending); EC- Directive 93/83/EEC (Satellite and Cable Transmission), EC- Directive. 93/98/EEC (Harmonizing the Term of Copyright and Certain Related Rights)

[38] Austria, Belgium, Bulgaria, Croatia, Republic of Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain and Sweden

(1) In this Part "author", in relation to a work, means the person who creates it.

(2) That person shall be taken to be –

(ab) in the case of a film, the producer and the principal director;

[41] Nanak Shah Fakir (2016)- Nargis Dutt Award for Best Feature Film on National Integration-2016

[43] S.10(1A), The Copyright, Designs and Patents Act, 1988 (CH. 48) (United Kingdom).

[44] S.9, The Copyright, Designs and Patents Act, 1988 (CH. 48) (United Kingdom).

[45] S.9(2)(ab), The Copyright, Designs and Patents Act, 1988 (CH. 48) (United Kingdom).

[46] S.2(c)(iii), The Copyright Act, 1957 (Act 14 of 1957).

[47] The Court is quoting from a book on Bergman, namely 'Ingmar Bergman: A Reference Guide' by Birgitta Steene, published by Amsterdam University Press, in 2005 and substantiate that the work of Director is equivalent to that of a craftsman.

[48] Director’s Authorship Under Indian Copyright Law: An (Un) Indian Approach? ,Lokesh Vyas And Akshat Agarwal, Journal Of Intellectual Property Studies, Volume Iv Issue I

[49] Jane C. Ginsburg, The Concept of Authorship in Comparative Copyright Law, 52 DEPAUL L. REV. 1063

(2003).

[50] Eileen Morley & Andrew Silver, A Film Director’s Approach to Managing Creativity, 55 Harvard Business review (1977).

[51] Justice Huges, Philiosophy of Intellectual Property, Georgetown Law Journel (1988)

[52] Kanu Priya, Intellectual Property and Hegelian Justification, 1 NUJS L. REV. 359, 361 (2008).

[53] Anand Nair , Royalties And Rights Sharing In Film Industry In India Post Copyright Amendment Act 2012 – Impact On Contractual Freedom: A Comparative Study With The Us And The Uk Copyright Regimes - WIPO Academy, University of Turin and ITC-ILO - Master of Laws in IP - Research Papers Collection - 2012-2013

[54] Pascal Kamina, “Film Copyright in the European Union”, Cambridge University Press, 2002 (incomplete)

[55] Swapnil Narendra, “Turnover of Indian Film Indusrty”, www.filmmakersfans.com, Feb, 2017, available at http://filmmakersfans.com/research-annual-turnover-indian-film-industry/

[56]S.18. Assignment of copyright, the Indian Copyright Act of 1957

[57] Selvalakshmi M, India Hema Verma, Neeta Jain –‘Emergence of Indian Film Industry in the International Markets: Facilitators and Impeders ‘-International Journal of Asian Business and Information Management, Volume 11, Issue 3, July-September 2020

[58] Selvalakshmi M, India Hema Verma, Neeta Jain –‘Emergence of Indian Film Industry in the International Markets: Facilitators and Impeders ‘-International Journal of Asian Business and Information Management, Volume 11, Issue 3, July-September 2020

[59] Anand Nair Royalties And Rights Sharing In Film Industry In India Post Copyright Amendment Act 2012 – Impact On Contractual Freedom: A Comparative Study With The Us And The Uk Copyright Regimes p.1

[60] “Films and authorship” in the film studies reader Hollows K Hutching P Jancovch M Arnodld Publishers pp 45 81, as read in Authorship in Cinema: Author and Reader , Basal Goskel Demiray, Cinej Cinema Journal , Vol. 4.1 (2014), ISSN 2158 -8724

[3] According to Article 21 of the Constitution of India: “Protection of Life and Personal Liberty: No person shall be deprived of his life or personal liberty except according to procedure established by law.”

[4] Justice K. S. Puttaswamy (Retd.) and Anr. vs Union Of India And Ors., AIR 2017 SC 4161.

[5] “Alia Bhatt invasion of privacy: Karan Johar, Anushka Sharma say such behaviour is 'disgusting”, https://www.cnbctv18.com/entertainment/alia-bhatt-photo-invasion-of-privacy-controversy-karan-johar-anushka-sharma-paparazzi-16000921.htm.

[6] “Intellectual Property and Hegelian Justification”, NUJS LAW REVIEW 1 NUJS L. Rev. (2008), 359-366.

[7] “Property Rights, Lockean” https://www.csus.edu/faculty/s/kyle.swan/docs/lockean%20property%20rights-revised.pdf.

[8] R. Rajagopal & Ors. vs. State of Tamil Nadu & Ors., AIR 1995 SC 264.

[9] R. Rajagopal & Ors. vs. State of Tamil Nadu & Ors., AIR 1995 SC 264.

[10] Article 19(1)(a), The Constitution of India, “Freedom of Speech and Expression” and Article 19(2) The Constitution of India “Exceptions”

[11] Phoolan Devi vs State Of M.P. & Ors., AIRONLINE 1996 SC 1038.

[12] Ritesh Kumar, “PV Sindhu and interplay of moment marketing, and IP rights”, https://www.theippress.com/2021/08/24/pv-sindhu-and-interplay-of-moment-marketing-and-ip/.

[13] Krishna Kishore Singh v. Sarla A Saraogi, 2023 SCC OnLine Del 3997, decided on 11-7-2023.

[14] Makkal Tholai Thodarpu Kuzhumam Ltd. v. Mrs. V. Muthulakshmi, (2007) 6 MLJ 1152.

[15] https://www.ipthink-tank.com/post/the-kuchipudi-style-and-copyright-a-new-friendship.

^{^[16]}D.M. Entertainment Pvt. Ltd. v. Baby Gift House and Ors., MANU/DE/2043/2010.

[17] Titan Industries v. Ramkumar Jewellers, 2012 (50) PTC 486 (Del).

[18] Mr. Shivaji Rao Gaikwad v. M/s. Varsha Productions, 2015 SCC OnLine Mad 158

[19] Mr. Gautam Gambhir vs D.A.P & Co. & Anr. on 13 December, 2017.

[20] Sourav Ganguly v. Tata Tea Ltd.(Calcutta High Court CS.No 361 of 1997).

[21] https://spicyip.com/2009/12/publicity-rights-sourav-ganguly-vs-tata.html

[22] Arun Jaitley v. Network Solutions Pvt Ltd and others, cs (os) 1745/2009.

[23] Anil Kapoor v. Simply Life India & Ors on 20 September, 2023.

[24] Amitabh Bachchan v. Rajat Negi and Ors., CS(COMM) 819/2022.

[25] Titan Industries v. Ramkumar Jewellers, 2012 (50) PTC 486 (Del).

[26] Digital Collectibles Pte Ltd And Ors v. Galactus Funware Technology Private Limited and Anr., CS(COMM) 108/2023.

IJLRA	N. Raj Kumar ; Kamble Shivadayal . "Design of Fault Tolerance Parallel FFT’s Using Xilinx 14.5v" Iconic Research And Engineering Journals Volume 5 Issue 8 2022 Page 1-6
IEEE	N. Raj Kumar ; Kamble Shivadayal . "Design of Fault Tolerance Parallel FFT’s Using Xilinx 14.5v" Iconic Research And Engineering Journals, 5(8)

A STUDY ON SEXUAL HARASSMENT AGAINST WOMEN AT WORKPLACE IN IT INDUSTRIES IN INDIA BY - THIRUNAVUKKARASU P, MATHANISHA N, HARINI C & OVIYA R

DATA THEFT BY - RAJNIKANT & PROF. SHIVANGI SINHA

RETAIL PARTICIPATION IN MUTUAL FUNDS SINCE 2008 CRISIS BY - RISHINGYA PATNAIK & SHREYA MUKHERJEE

CROSSING THE SHADOWS- INTERFACE OF WHITE-COLLAR CRIMES AND CYBER LAW BY- ANKIT AGRAWAL & MEHUL N. DUBEY

USE OF ALTERNATIVE DISPUTE REDRESSAL MECHANISM VIS-A-VIS FAMILY DISPUTES IN INDIA: AN ANALYSIS BY - DR. KARAN JAWANDA & APARNA SINGLA

BALANCING TRADITION AND ETHICS: CHILD LABOUR IN FAMILY ENTERPRISES IN CONTEMPORARY INDIA BY - RIYA MESHAK & THANYA MESHAK

LEGAL VIEWS ON WOMEN EMPOWERMENT BY - MS. KAVITA R. SANDBHOR & MS. VAISHALI KAMBLE

ANALYSIS OF THE LIMITED LIABILITY PARTNERSHIP ACT, 2008 BY - DR. POOJA AGRAWAL

DIRECTOR – THE UNRECOGNISED AUTHOR: A CRITICAL ANALYSIS OF THE NEED FOR REDEFINING THE AUTHORSHIP OF FILM IN INDIA BY - MUTHUMANI SOMASUNDARAN

FROM R. RAJAGOPALAN CASE TO ANIL KAPOOR VERDICT: EVOLUTION OF PROTECTION OF CELEBRITY RIGHTS IN INDIA BY - PALLAVI TIWARI

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